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Alan Somerville Sculptor

Alan Somerville, Sculptor: “The Bella Figura”

The Burley Griffin Incinerator Art GalleryWhen you cross the Anzac Bridge in Sydney from the Southern end you are aware of two, above life size, bronze figures of soldiers. One, an Australian, the other, a New Zealander.  They stand valiant, in all weathers, a moving tribute to manhood and heroism. Alan Somerville who sculpted these works recently held an exhibition of his latest work at the Walter Burley Griffin designed Willoughby Incinerator Art Space, itself a work of sculpture.

This exhibition by a master of anatomy and fluidity in form was all action. Nothing here is at rest. The charging bull, the rapturous dancers, Horses are the very essence of horse. Lovers melt in each other’s arms. The works in the round are framed by a lively collection of animated drawings.

Here is a master sculptor who is part of that golden thread of figurative sculpture that includes  Rodin, Degas and our own George Lambert. I have long admired the work of an inherently modest man who works incredibly hard to create a seemingly effortless result.  It was my privilege to open this exhibition and share the occasion with his many admirers on Saturday the 3rd of August 2013.

See Alan’s work on his website – www.alansomerville.com

Paul Delprat

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Paul Delprat at the Norman Lindsay Gallery

On the verandah Lindsay House

Paul Delprat at the Norman Lindsay Gallery 40th birthday celebration

On Saturday 9th November 2013 a party was held at the Norman Lindsay house in Springwood by the National Trust, to which the artist had entrusted its care. Recent bushfire which reached the boundary of the property, had caused the evacuation of all the artworks and their subsequent return after the crisis had passed. “It was an opportunity to paint some of the rooms”, said Amanda Trevillion philosophically. She has been the loyal manager of the gallery for over 20 years.

Paul was delighted to catch up with Helen Glad, Norman Lindsay’s granddaughter, who retained all the fire and enthusiasm of her grandmother Rose and also with Margaret Stewart who used to visit the house with her father the poet Douglas Stewart throughout her youth. Paul was among the artists had been invited to paint vases for the 40th Anniversary and these were on display in the company of many Lindsay vases. It was a nostalgia trip for Paul who had visited the house on many occasions commencing when he was sixteen to see the reclusive master of Springwood. Norman had given him a lesson in watercolour technique – “leave lots of white paper to retain light and brilliance” He also gave advice on pen technique and etching, all media in which he was a great master.

Paul speaking at Lindsay Gallery 2013Paul was invited to speak and fondly remembered the first Lindsay he ever saw. It was a lithograph in his grandfather Howard Ashton’s house. On the back of a tiger, in the company of a wonderfully wild bohemian group in various stages of undress, rode a boy nonchalantly munching an apple. Paul identified with that boy. He went on to tell of the making of two films based on stories by Norman for which he was later invited to create paintings;” Age of Consent” and “Sirens”.  Norman had spoken of his friendship with Paul’s great grandfather, Julian Ashton and was an inspiration to Paul when he was commencing his own studies at The Julian Ashton Art School. The Lindsay Gallery now receives a constant stream of visitors from all over the world and is a permanent showcase of the work of one of the most original and gifted artists in Australia. In the image above Paul, who had forgotten to bring a tie, is wearing a splendid bow tie designed by Rose Lindsay which he purchased from the gallery shop. 

Long may the Norman Lindsay Gallery continue its good work.

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Duke Doc of Rock

 

Duke Doc at Wy
Duke Doc at Wy

Rock on Duke Doc.

When the news came from his close friend Marquize Annie Souter that the legendary Australian singer, Doc Neeson, was ill in hospital over Christmas, there was deep concern in the Principality of Wy.

All those who have been at celebrations at Wy have indeed been blessed when Doc has picked up his guitar and sung from his repertoire. Who present has not been affected by the richness of his voice and the spontaneous generosity of his spirit?  Our noble and valued friend is known as “Duke Doc of Rock” in the Principality. We of Wy, heartily, wish Doc Neeson a quick recovery and a return to his lifelong muse as a Master Musician.

Paul